tag:blogger.com,1999:blog-23283548.post7401772828928569557..comments2024-03-18T06:15:12.993-03:00Comments on Flooby Nooby: Starchaser: The Legend of Orin Ronhttp://www.blogger.com/profile/04722342595669144766noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-23283548.post-21401210277508468932015-10-30T10:57:22.188-03:002015-10-30T10:57:22.188-03:00Forget the internet, there's a 4-page article ...Forget the internet, there's a 4-page article in American Cinematographer from December 1985 by Les Paul Robley. All about the 3D computer animaton in the film.Unknownhttps://www.blogger.com/profile/15494701522838549057noreply@blogger.comtag:blogger.com,1999:blog-23283548.post-47795978023644318532014-11-25T14:35:36.465-04:002014-11-25T14:35:36.465-04:00If yould like more information on the film, I'...If yould like more information on the film, I's be happy to add any knowledge that I could. This is the film that brought me to Los Angeles for work. I was the Layout Supervisor and one of the Background Designers on the show. There was a tremendous about of work put into this production by some of the best people in the business. I met some of the most talented people here. It looks a little like a Bakshi film because most of the original crew came on board after Bakshi finished Fire and Ice, and let everyone go. They moved on to this project. Dick Sebast was the original director, and I believe the one who devised the program for the 3-D ships. Steven Hahn, who at that time was one of the original founders of Hahnho in Korea, wanted to do this production using both American and Korean animators on this joint venture. The real unsung heroes of this project were the Korean cameramen who had to do multiple passes for the 3-D layers, effects, and adjust them for each eye without mistakes. It was an incredible job. The 3-D ships were computer drawn onto paper, then transferred to cels which were inked just like the characters so they fit right in. It was a wonderful experience for me.Anonymousnoreply@blogger.com