A futuristic world powered entirely by human feces. With the government anxious to control this sole, important source of energy, they install special sensors on its citizens’ anuses to monitor production, while controlling the populace by distributing addictive popsicles.” Sounds good to me. I've recently found the whole twisted film of this madness, you can watch the a crazy five minute clip here.
June 02, 2008
Absolute Madness
A futuristic world powered entirely by human feces. With the government anxious to control this sole, important source of energy, they install special sensors on its citizens’ anuses to monitor production, while controlling the populace by distributing addictive popsicles.” Sounds good to me. I've recently found the whole twisted film of this madness, you can watch the a crazy five minute clip here.
Frank Miller Assures That ‘The Spirit’ Is Not Another ‘Sin City’
In an upcoming entry in his production blog, writer/director Frank Miller addresses some concerns that fans have that his upcoming adaptation of Will Eisner 1940’s comic book series The Spirit will be a retread of Miller’s Sin City movie.After the film’s teaser trailer and outdoor banner were released last month, many people thought its look — black and white with a splash of red, placed against green scene sets — too closely resembled Miller’s co-directing venture with Robert Rodriguez on 2005’s Sin City.But Miller confirms that The Spirit is actually a full-color movie, and that he hopes to make it into a movie trilogy all its own.
The director also said that with The Spirit movie, he is trying to do what Eisner, his mentor, intended by creating “something new, witty, and exploratory” and that it will not be just like Sin City.
[THE SPIRIT] only resembles SIN CITY in that I am its director, and, well, yes, I have my ways and my proclivities. Luckily, I was able to discern three important proclivities I share with the Master. We both love good stories. We both love New York City. And we both love beautiful women.Another change that fans of the Eisner comic book series are concerned with is Miller’s decision to change The Spirit’s traditional blue hat, mask, and jacket to black. Miller explains that the Spirit’s original blue attire was the product of the limitations of pre-digital printing which necessitated everything in black be printed in blue.
Miller assures that in creating The Spirit’s look for the film, tests were run with the blue color, but that “the blue made the Spirit look like an unfortunate guest at a Halloween party.”
Going to black brings back his essential mystery, his Zorro-like sexiness. It also makes that red tie of his look very, very cool. So I made the call, with all respect to Eisner’s creation, and most importantly, to what I perceived as his underlying intention. It was an easy call for me to make. The Spirit dresses in black, and looks much the better for it.Miller’s aforementioned blog posting will be at the film’s official site soon, but for now, SSH has the first look on the upcoming ninth entry.
Via Geeks of Doom
May 31, 2008
Brains Dance
The making of this commercial here with a nice hybrid of CG imagery and puppetry:
Earthworm Jim Movie!
I've done a few new sketches and he's really fun, funny and just more solid as a character. I have a ten page feature script treatment that I just finished to get a look at the character...see what a feature might look like.I'm not going to say much more. I don't want EWJ to be all about talking up a character...I'm putting the goods down on paper. We'll give you updates over on the Interplay site and I'll probably start a blog to let all of the Jim fans in on the progress of the character, game, movie, etc.
I can only say that I really want to make him shine so you won't get some half-baked, heartless piece of crap made to exploit you for more money.
William "Will" Elder (Sep.22, 1921 – May.15, 2008)
An American illustrator and comic book artist who worked in numerous areas of commercial art, but is best known for a zany cartoon style that helped launch Harvey Kurtzman's Mad comic book in 1952.Mad publisher Bill Gaines approvingly called Elder "unquestionably the nuttiest guy who ever walked in the doors here." Playboy publisher Hugh Hefner said, "He was a zany, and a lovable one." Longtime Mad writer-cartoonist Al Jaffee called Elder "Absolutely brilliant... he was the star from the beginning. He had a feel for the kind of satire that eventually spread everywhere."
Elder was inducted into the Comic Book Hall of Fame in 2003.

Kurtzman and Elder were classmates at Manhattan's High School of Music and Art, where they were in the school's first graduating class. In the late 1940s, they teamed with Charles Stern to form the Charles William Harvey Studio, creating comics between 1948 and 1951 for Prize Comics and other publishers. At EC Comics, he inked John Severin's pencils on stories for Weird Fantasy, Two-Fisted Tales, Frontline Combat and other titles.
When Kurtzman created Mad in 1952, he immediately fixed upon Elder. Elder's wacky panels, filled with background gags, immediately attracted attention, first with "Ganefs!" in Mad's debut issue but especially in the second issue with "Mole!" The story depicted the successive efforts of prisoner Melvin Mole to tunnel away from the prison, first with a spoon, then with a toothpick and finally with a nostril hair. The wild exaggeration in this story left such a strong impression that it was often quoted ("Dig! Dig!") and even referenced years later in a Psychology Today illustration. Elder's device of separate foreground and background actions was referenced by Louis Malle in his film Zazie dans le métro (1960).According to Al Jaffee, "[Elder] could have been the world's greatest forger." Elder also had a chameleon-like talent for mimicking the precise styles of other cartoonists, which made the satiric effect stronger. This ability was showcased in such pieces as "Mickey Rodent!" (a takeoff
on Mickey Mouse and Disney in general), "Starchie!" (Archie Comics), "Bringing Back Father!" (George McManus' Bringing Up Father strip), "Gasoline Valley!" (Frank King's Gasoline Alley), and others. Such was Elder's ability that some of these parodies featured specific observations about the source materials' art styles, with Elder switching illustrative gears in midpanel (as in the sequence where "Mickey Rodent" and "Darnold Duck" literally locate the border between Disney cartooning and a more realistic drawing style. Both characters gain an additional finger on each hand as they cross over).
By all accounts, Elder's humor was compulsive. Al Jaffee described a portrait Elder once painted of his son: "It was a beautiful painting. It was all in very somber blues and black tones, very dark and brooding. After he finished it, he couldn't resist putting two little red dots on the kid's neck, as if a vampire had been there. He was always driven by the notion that something should be funny."
He was a legend, and he will be missed.From Star Wars To Firewall
Nearly two decades have passed since the fun loving, swash-buckling, scruffy looking, snake fearing, nerf herding, Harrison Ford graced the silver screen with amicable characters like Han Solo and Indiana Jones. I'm pretty sure the last time we saw him genuinely smile (sarcastic grins don't count) on camera was when Princess Leia said those three magic words: "He's my brother." What happened, Harrison- Your films have grossed over $6 billion at the worldwide box office, you're ranked the #3 biggest American movie star behind Eddie Murphy and Tom Hanks, you were in the Guinness Book of World Records as the "Richest actor alive," AND you have a spider named after you. So why the long face? Why is Harrison Ford so damn grumpy? Let's find out shall we?
1. Because everyone says he is.
2. Hollywood keeps stealing his wife and/or his family.
In an interview with Harrison he describes acting as the ability to figure out the mechanisms to create belief, behavior that the audience recognizes as cues for how they would feel if they were in the circumstances. Imagine every time you went to work you had to make people believe your family has been kidnapped or your wife has been murdered. By the end of the week you'd be downright suicidal!
3. When a tree falls in a forest, it makes the sound of hair being ripped from his chest.
4. Two divorces and four little Fords
After Star Wars and before his engagement to Calista Flockhart, Ford lived through two failed marriages. And not the typical one-month, married today divorced tomorrow Hollywood-style marriages, either, where the emotional damage can be softened with a few beers and some deep dish pizza. He was married to Mary Marguadt for 15 years, producing two kids, Benjamin and Willard. He then moved on to Melissa Mathison for another 20, with two more little ones, Malcom and Georgia. I guess he saves the "I'll die for my family" attitude for the big screen.
5. Years of repressed wedgie rage.

When Ford was a kid he was very shy and would often get beatings from his classmates. A firm believer in non-violence, he would never fight back and would bottle his rage up for years. He suffered from depression in college, describing his own performance as Sloth, until he was expelled in his final year. Thank God he discovered acting, where he was able to overcome his fears and where he was able to beat the crap out of bullies for the next 40 years!
6. Firewall�
Nuff said.
Last but not least�
7. Still gets bullied today
Harrison, if you're looking to pick up your mood, maybe check what you raked in for some of your films.
American Graffiti (1973) - $500/week
Star Wars (1977) $650,000
Clear and Present Danger (1994) $1,000,000
Patriot Games (1992) $9,000,000
Presumed Innocent (1990) - $12,500,000
The Devil's Own (1997) - $20,000,000
Air Force One (1997) - $22,000,000
Six Days Seven Nights (1998) - $20,000,000
Random Hearts (1999) - $20,000,000
What Lies Beneath (2000) - $20,000,000
K-19: The Widowmaker (2002) - $25,000,000 + 20% of the Gross
Via perimetic.com

