August 23, 2014

Canada Vignettes: Canadian History Through Animated Short Films

You’ve all seen them on television. Those wonderful, short, fascinating Canada Vignettes that cover the history of Canada, from the ill-fated establishment of the Republic of Manitoba to the exploits of train robber Bill Miner. This series of over 120 short films has played continually on Canadian television from the late 1970s to the mid 1980s.
NFB have launched a DVD compilation of some of the best Canada Vignettes in time for the holidays, so I singled out a few of the more interesting films in the series.

















The Genesis of the Project
The story of Canada Vignettes goes back to early 1977, when the CBC’s children’s programming department approached the National Film Board about producing short films, up to five minutes in length, that they could use as “fillers” to complement their programming for kids. The NFB was interested in this project and began to look into a way to produce it.
Meanwhile, events in Ottawa would kick-start this initiative. The Secretary of State announced in the fall of that year that $13 million would be given to Federal Cultural agencies to help promote national unity. The NFB was allocated $2 million of this money to produce films that would be broadcast on the CBC, similar to the Bicentennial Minutes that had played on CBS in the United States the previous year (the original title of the series was to be Canada Minutes). No one in either agency was interested in making or showing “propaganda” films; after some discussions, it was decided to make films on Canadian history and famous Canadians that would be a celebration of Canada, and not anything that could be perceived as propaganda.
Production begins
Radio-Canada eventually agreed to come onboard to broadcast the French films in this series. Over the next three years, a team of 80 filmmakers from across the country worked on the project, including artisans from the NFB’s Winnipeg, Vancouver and Toronto production centres. Many of the films produced were animation vignettes that presented Canadian history in an amusing way. Some of the vignettes were culled from material excised from full-length documentaries. The key was that they tell an interesting story in a few minutes. It was decided that no credits would be included in the films, only a title.
Television broadcasts
Eventually, the first Vignettes were shipped to the CBC and Radio-Canada on 16mm for broadcast. Though they had initiated the project, the CBC’s children’s department advised the NFB that it could no longer show films that were longer than two minutes as their programming needs had changed in the time that it took to get the series produced. This posed a problem, since a quarter of the vignettes were more than two minutes in length. The main network agreed to make the longer films as well as the short ones available to the affiliate stations, who could then choose what they would show. The films were shown on both prime time and during children’s programming slots. The most popular film in the series to air on Canadian television was Canada Vignettes: Faces, a beautiful work of animation that depicted the faces of Canada (including a cameo by then Prime Minister Pierre Elliot Trudeau).


Other Canadian networks eventually picked up the films for broadcast, including CTV, Global and TV Ontario. The TVA network also picked up the French titles and broadcast them over several years, to great response. Television sales of the best vignettes were also made to Turkey, Italy, Algeria, Norway and the United Kingdom, among other countries.
The Theatrical run
Pretty much every Canadian who has ever seen a Canada Vignette remembers the McGarrigle sisters singing in The Log Driver’s Waltz. It is one of our most viewed films on NFB.ca (closing in on 200,000 views). This is not surprising as it played extensively on television and was one of three films from the series to be released theatrically in the 1980s. This came about from a deal the NFB made with Cineplex Odeon to show short films before main features in Canadian cinemas. Cineplex specifically asked for very short films; they agreed to test three of them in their theatres and conduct an exit poll with the audiences to gauge their response.





The NFB was responsible for providing 35mm printing elements to Cineplex Odeon, who would in turn make the release prints for the theatres. Since all the animated Canada Vignettes had been produced on 35mm, it was easiest to produce 35mm prints of these as opposed to blowing up the 16mm documentary vignettes. Of the 22 vignettes proposed to Cineplex, the aforementioned Log Driver’s Waltz was chosen, as were The Horse andNews Canada. Unfortunately, audiences were indifferent to the films and Cineplex eventually pulled them from their theatres (The Log Driver’s Waltz received the best response of the three).

The Log Driver’s Waltz had also been submitted to the Annecy (France) Animation festival and had won the prize for best foreign animation film. This led to theatrical sales in the United Kingdom, Ireland, the United States and South Africa. The success at Annecy also secured television sales in a dozen countries, most notably in France, Greece, Australia and Switzerland.
Whether offering a humorous take on learning French or a beautiful song by the Cape Breton miners, the Canada Vignettes have become a treasure of Canadian nostalgia. Enjoy.

Via The NFB Blog

August 22, 2014

"The Cat Came Back" by Cordell Barker

A nice high quality version of the classic 1988 NFB short. This film, along with The Big Snit, were a major influence on me as a child in my interests of becoming an animator. For me, this is cartooning personified. A catchy tune, lively full animation, and more squash-and-stretch and boiling lines than you can shake a stick at.

August 21, 2014

"Buy Buy Baby" by Gervais Merryweather

Mike Monteiro: Fuck You. Pay Me.

Amazingly informative, and funny. All creative professionals should all watch this.

August 20, 2014

In Memory of Robin Williams - a Poem by Voice Actor Jim Meskimen

Jim Meskimen was touched by the loss of Robin Williams in a unique and personal way. Since 2008, he has been the voice of Disney’s Genie character from Aladdin, having voiced him in a series of Disney video games. Williams, of course, famously brought the Genie to life in the original Disney classic.

Moonbeam City - Trailer

August 18, 2014

"Phantom Limb" by Alex Grigg



Written Directed and Animated by Alex Grigg

In the aftermath of an accident a young couple learn to deal with phantom pains.
alexgrigg.com/ | alexxgrigg.tumblr.com | twitter.com/joyybox | mightynice.com.au
Phantom Limb is my contribution to Late Night Work Club first anthology- Ghost Stories. latenightworkclub.com
Making of -- medium.com/@joyybox/1eef3f6d085f
For the most part It was ALex Grigg making this little short, but he did get loads of late night help from the exceptionally talented friends in the credits below. Please find them, follow them, love them. They are all brilliant-

Additional Animation By Alexis Sudgen, James Hatley, Jean-Gui Culot, Jarrod Prince, Bill Northcott,
Backgrounds by Colin Bigelow with German Casado, Jason Pamment, Alex Grigg, Bjorn-Erik Aschim
Sound Design & Audio by Oswald Skillbard
Music Written and Performed by Kirsty Tickle and Jonathan Boulet,
Doctor Voiced by Clifford Hume,
Martha Voiced by Sarah Jones,
Compositing by - Ryan Kirby, Alex Grigg, Scott Benson
Digital Ink and Paint by - Rimon Bar, Alexis Sudgen, Jasper Parker Trenfield
Special Thanks-
Rosie Afford, Jake Armstrong, Greg Sharp, Ben Leon, Scott Benson, Bruce and Bronwyn Grigg,
Produced for Late Night Work Club

What if Michael Bay directed "UP"

August 17, 2014

Behind the Scenes of some 2014 Annecy short films

Making of "Coil"




Making of "Fenrir"




Making of "Hors Champ"




"Henchmen" by Bron Studios



This short film created by former Pixar animator Adam Wood is so good that Adam McKay and Will Ferrell will be producing a movie based on it. It tells the story of a clumsy janitor at a museum who accidentally finds himself inside the sophisticated, out-of-control armor of a famous supervillain.

They are aiming for 2016 for the release. Deadline writes:
The synopsis for the feature-length adaptation suggests there will still be a hapless young twerp in a super suit, but will also focus on a "fallen henchman" named Hank overseeing a "motley crew of blue-collar workers in the Union of Evil." The "risk-nothing" sentiments of Hank are challenged when he must become a hero and rescue the kid in the suit and the missing woman he loves.
The best part of all this is the art direction of the film, which appears to combine 3D and 2D animation. Even the 3D rendering is different and far from Pixar's usual polished surfaces, using shaders that make it look like if it were hand colored with markers or acrylics and 2D animated FX to help it look cartoony instead of focusing on off-style particle FX simulations and more of a flat and appealing design style to the effects animation.

Via sploid