But Miller confirms that The Spirit is actually a full-color movie, and that he hopes to make it into a movie trilogy all its own.
The director also said that with The Spirit movie, he is trying to do what Eisner, his mentor, intended by creating “something new, witty, and exploratory” and that it will not be just like Sin City.
[THE SPIRIT] only resembles SIN CITY in that I am its director, and, well, yes, I have my ways and my proclivities. Luckily, I was able to discern three important proclivities I share with the Master. We both love good stories. We both love New York City. And we both love beautiful women.Another change that fans of the Eisner comic book series are concerned with is Miller’s decision to change The Spirit’s traditional blue hat, mask, and jacket to black. Miller explains that the Spirit’s original blue attire was the product of the limitations of pre-digital printing which necessitated everything in black be printed in blue.
Miller assures that in creating The Spirit’s look for the film, tests were run with the blue color, but that “the blue made the Spirit look like an unfortunate guest at a Halloween party.”
Going to black brings back his essential mystery, his Zorro-like sexiness. It also makes that red tie of his look very, very cool. So I made the call, with all respect to Eisner’s creation, and most importantly, to what I perceived as his underlying intention. It was an easy call for me to make. The Spirit dresses in black, and looks much the better for it.Miller’s aforementioned blog posting will be at the film’s official site soon, but for now, SSH has the first look on the upcoming ninth entry.
Via Geeks of Doom
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